Sailor Moon Eternal — Coming to Theaters
September 11, 2020 January 8, 2021
Three years. Three very long years have passed since the initial June 30, 2017 announcement of the continuation of Sailor Moon Crystal. As we sped toward the third anniversary from the announcement, we found ourselves less than 100 days away from the long-awaited theatrical debut.
That was, of course, until the surprise June 18 announcement that the movie would be pushed back until January 2021.
So how did we go from Sailor Moon‘s editor-for-life Fumio “Osabu” Osano announcing that we were moving full steam ahead toward a September 11 release to a 4 month delay, all in the span of a little over a week?
Today we’re going to take a deep dive into this troubled production and look into this most recent development. Whether you’re a die-hard fan of the 90s anime of a Sailor Moon Crystal devotee, there are some interesting insights for everyone!
ChibiUsa is very unimpressed
While the Sailor Moon series is generally a challenge in its own right to translate in such a way that not only gets across what’s being said, but the style and nuance as well, my heart truly goes out to those who are tasked with translating the lyrics to the series’ music.
As a wise person (me) once said (right now): 80% of the meaning of music cant be found in the words that go unspoken.
Today we’re going to take a look back at yet another Sailor Moon lyrical mystery, as we try to uncover just what this fanciful song about fruits, pies, and kidnapping children is all about!
Won’t the real Kaguya please stand up?
The nice thing about writing a blog covering a series that went off the air over 20 years ago is that it’s not like there’s any chance that I’m going to be spoiling the story for anyone. Even with the recent U.S. screenings of the Sailor Moon movies, I’d be willing to bet that the majority of those in the audience had already seen the movie, or at least knew what it was about.
So with that said, I really don’t feel too bad about dissecting story of the Sailor Moon S movie, or peeling back the layers to take a deeper look at the Japanese folktale Ms. Takeuchi based her story on.
If you’ve ever stayed up late at night wondering who the heck Princess Kaguya is, this one’s for you!
Closing out the story on Sailor Moon S
Whether you love the Sailor Moon S movie or think that it is a lackluster performance in an otherwise excellent brand, I probably won’t be changing your mind through this series. But regardless of which side of the fence you fall on, I think it can be immensely helpful — and even entertaining — to get a little insight into just what the creative minds behind a movie were thinking as they made it.
Today we’re going to continue our journey through Hiroki Shibata’s commentary regarding his directorial debut in Sailor Moon‘s theatrical universe. If we’re really lucky, we might even learn something new by the time we’re done!
Aww, it’s okay Luna!
Asking a Sailor Moon fan which of the three movies is their favorite is akin to walking into a crowded room of strangers and asking them all what they think about the latest political hot-button issue: it’s not going to end well.
While I personally prefer the Sailor Moon R movie, all three of the movies are definitely worth watching, and I can understand why they have their fans.
Today we’re going to try to get a little more insight behind the story of the Sailor Moon S movie by looking at some of the director’s notes provided with the Laser Disc release of the Sailor Moon S movie. If anyone can help win my heart over with a deeper interpretation of the movie — putting aside for a second Naoko’s amazing manga version on which it’s based — I’d say the director is probably out best bet!
“That’s no moon, it’s a…” Sailor Soldier
Remember that time that Usagi sang about beautiful corpses, painful tattoos, and wanting to control your lover until every little breath of theirs belongs to you? Of course you do, because how could you possibly forget Moon Revenge, the bizarre ending theme to the Sailor Moon R movie.
But like most things that get lost in translation, these sort of thing can make at least a little more sense when looked at in the proper context. And today, that’s what we’re going to talk about!
If you’ve ever been up late at night fretting over lovely corpses and engraved tattoos, this one’s for you!
Tell me your secrets!
Whether it’s due to really restrictive NDAs signed by everyone involved, a stronger sense of respect for one’s prior workplace, or a power-hungry industry that will shut out anyone who opens their mouths from finding new work, it’s pretty uncommon to find tell-all accounts of what it was like working behind the scenes of Sailor Moon, or even any anime really.
While I wish I could say that I’m here to sate your (and my?) desire for drama, I’m actually here to share with you a heartwarming account by Kotono Mitsuishi, voice of Sailor Moon and Usagi Tsukino.
Sit back, relax, and enjoy!