This is from a Sailor Moon stage show and has nothing to do with Moon Lips… but it DOES cause nightmares
Moonlight Densetsu really is the gift that keeps on giving when it comes to bringing us a plethora of fan rumors and other mysteries surrounding Sailor Moon‘s famous theme song.
After two full seasons of using the original cut of the song, sung by the mysterious and short-lived DALI, the animation studio decided to record a new cut of Moonlight Densetsu starting with Sailor Moon S season. What’s interesting about this version, though, is that it’s actually credited to two different groups – which is the mystery we’re going to look into today.
Put on your scuba gear! We’re about to take yet another deep dive into this moonlit destiny!
“That’s no moon, it’s a…” Sailor Soldier
Remember that time that Usagi sang about beautiful corpses, painful tattoos, and wanting to control your lover until every little breath of theirs belongs to you? Of course you do, because how could you possibly forget Moon Revenge, the bizarre ending theme to the Sailor Moon R movie.
But like most things that get lost in translation, these sort of thing can make at least a little more sense when looked at in the proper context. And today, that’s what we’re going to talk about!
If you’ve ever been up late at night fretting over lovely corpses and engraved tattoos, this one’s for you!
We’re Ikimasho-ing, in a Rashiku-manner
“La la la never give up, ganbaru wa!” – these truly are words to live by, and I don’t think any of our beloved sailor-suited girls of love and justice could have said it any better (absent the help of the musical genius of Stan Bush) in the second ending to the Sailor Moon SuperS anime, Rashiku Ikimasho.
But there’s a problem: when you stop and read through the lyrics, it doesn’t actually make a whole lot of sense.
Today we’re going to talk about some of the confusion surrounding this awesome song, and what makes the song so powerful. This may get a bit detailed, so be sure you’ve had a nice cup of coffee (or delicious Pop-Tart?) before we dive straight in!
Tell me your secrets!
Whether it’s due to really restrictive NDAs signed by everyone involved, a stronger sense of respect for one’s prior workplace, or a power-hungry industry that will shut out anyone who opens their mouths from finding new work, it’s pretty uncommon to find tell-all accounts of what it was like working behind the scenes of Sailor Moon, or even any anime really.
While I wish I could say that I’m here to sate your (and my?) desire for drama, I’m actually here to share with you a heartwarming account by Kotono Mitsuishi, voice of Sailor Moon and Usagi Tsukino.
Sit back, relax, and enjoy!
AKB48 performs Moonlight Densetsu
If you had told me a year ago that I would ultimately end up writing 4 articles about Moonlight Densetsu alone, I probably wouldn’t have believed you. That’s one article for each season that it remained the opening theme song for Sailor Moon! And yet here I am, writing my last (???) article in this series investigating the mysteries behind this moonlight destiny.
Join me in this look back into the mystery surrounding the composer, and theories about why she didn’t take credit under her own name.
Ikuhara (left) trying the “zero-fashion-sense Mamoru” look
It’s been a long road here, but we’ve finally made it to the end of our three part special, where we review Director Ikuhara’s notes explaining his thoughts on the story of the Sailor Moon R movie. You can find Part 1 and Part 2 here, respectively.
If you’re new to this series, a little background: Kunihiko Ikuhara was the director and major creative force behind the Sailor Moon R movie. Included with the LaserDisc release of the movie was a six page summary of his “interpretation” – basically, his thoughts and inspirations – of the story, separated by chapter.
Today, I’ll be finishing up with comments 17 through 22! Why don’t you join along?
Fiore and his flower minions
After finishing the first half of my review of Ikuhara’s director’s notes for the Sailor Moon R movie, I have to admit that I feel like I have a bit of a better understanding of what story he intended to tell.
And you know, I think I like the movie even more. Knowing that there’s actual meaning behind scenes I just glossed over adds a new depth to the movie for me, and it’s definitely moved up on my “to watch” list.
That said, join me as I continue on with Director Ikuhara’s notes for chapters 11 through 16!