The Sailor Team
One question I often (not unreasonably) get asked is: why do I so rarely talk about Sailor Moon Crystal on this blog?
Truth be told, it’s not that I don’t want to talk about it. It’s rather that bringing the Sailor Moon Crystal series into the equation introduces several key issues into what we discuss here, including:
- the series takes place decades after the original manga/anime ran, and the world has since changed;
- the story tracks closely with the manga and doesn’t add too much new information; and
- Sailor Moon Crystal is still a work in progress, so any theories unique to the series could still change.
Fortunately for us, with the recent announcement that Kazuko Tadano — character designer for the first two seasons of the 1990s Sailor Moon anime — will be reprising her role as character designer for the upcoming Sailor Moon Crystal movie, this gives us a chance to take a look back into the past to hopefully answer some questions about the series’ future.
Today, we’ll be taking a deeper look into what Ms. Tadano thought of the characters in Sailor Moon, and her philosophy in how she draws women. Stick around, because things are about to get interesting!
Is this the end for Sailor Moon?
Over a quarter of a century has passed since Sailor Moon first hit the airwaves, and yet the series manages to continue to excite new and old fans alike with a constant stream of new products, musicals, cafes, and even the occasional anime season. It’s easy to forget, though, that the series had actually been relatively dormant in Japan for much of this time.
While hindsight may be 20/20, and we may now know that there was no true “successor” to Sailor Moon in the most direct sense of the word — at least not until the Pretty Cure franchise came around — I think it’s interesting to take a look back in time and see what series fans back in the 90s thought would be the next big anime in the shojo-sphere.
Join me for a trip down memory lane as we take a look at some of the interesting predictions reporters on Japanese anime were making back in the mid-90s. I hope you’re ready for some serious nostalgia!
The voices of the five Inner Senshi
As I try to track down every bit of bizarre Sailor Moon trivia you could possibly imagine, I end up purchasing a lot of old magazines, books, and watching hours upon hours of long-forgotten commercials and promotional tapes.
And that’s the part of this job I love.
It’s not uncommon that, in my pursuit to answer one question, I end up coming across two or three more that I’ve love to look into. And today’s article is just one such case.
Today we’ll be looking at the responses given by eight of the Sailor Moon voice cast to a survey on what it’s like to work in the voice acting industry, and how they feel about their various roles. If you’ve ever been interested in getting a bit more insight into the people behind the characters, this one’s for you!
Correction: Lizards, Salamanders, Fish, AND RABBITS will be angry
While I typically avoid going down into the tiny nitty-gritty in individual episodes (that kind of analysis is saved for the Episode Reviews), there’s something about this line that I just found so nonsensical and confusing that I just had to look into it. And I’m glad I did.
For those of you who have no idea what I’m even talking about, today we’re going to take a look at the odd line in episode 5 of the original 90s anime, where Sailor Moon exclaims that three animals are “going to be mad” about Jadeite’s plan.
If you’re as confused as I was, stick around!
This is from a Sailor Moon stage show and has nothing to do with Moon Lips… but it DOES cause nightmares
Moonlight Densetsu really is the gift that keeps on giving when it comes to bringing us a plethora of fan rumors and other mysteries surrounding Sailor Moon‘s famous theme song.
After two full seasons of using the original cut of the song, sung by the mysterious and short-lived DALI, the animation studio decided to record a new cut of Moonlight Densetsu starting with Sailor Moon S season. What’s interesting about this version, though, is that it’s actually credited to two different groups – which is the mystery we’re going to look into today.
Put on your scuba gear! We’re about to take yet another deep dive into this moonlit destiny!
“That’s no moon, it’s a…” Sailor Soldier
Remember that time that Usagi sang about beautiful corpses, painful tattoos, and wanting to control your lover until every little breath of theirs belongs to you? Of course you do, because how could you possibly forget Moon Revenge, the bizarre ending theme to the Sailor Moon R movie.
But like most things that get lost in translation, these sort of thing can make at least a little more sense when looked at in the proper context. And today, that’s what we’re going to talk about!
If you’ve ever been up late at night fretting over lovely corpses and engraved tattoos, this one’s for you!
We’re Ikimasho-ing, in a Rashiku-manner
“La la la never give up, ganbaru wa!” – these truly are words to live by, and I don’t think any of our beloved sailor-suited girls of love and justice could have said it any better (absent the help of the musical genius of Stan Bush) in the second ending to the Sailor Moon SuperS anime, Rashiku Ikimasho.
But there’s a problem: when you stop and read through the lyrics, it doesn’t actually make a whole lot of sense.
Today we’re going to talk about some of the confusion surrounding this awesome song, and what makes the song so powerful. This may get a bit detailed, so be sure you’ve had a nice cup of coffee (or delicious Pop-Tart?) before we dive straight in!