The five Inner Senshi the week before their last recording session (flowers from Ms. Takeuchi)
As a wise person once said, “all good things must come to an end.” Sailor Moon was no exception to this rule, and aired (what would then be) its final episode on February 8, 1997. Even though the series would live on in the form of musicals, a live action TV series, and even a second anime series, that final airing marked the end of a five year journey for the talented actresses and actors that brought our beloved characters to life.
Today, I’d like to take a look at how the Sailor Moon cast felt about the series they gave five years of their life to, their respective characters, and their favorite scenes — all courtesy of a “Sailor Moon Graduation” commemorative interview conducted by Animage magazine.
Grab a box of tissues, because there are going to be a lot of tears shed before we’re done!
I still find it shocking that this is official art by Naoko
If you grew up in the pearl-clutching 80s and 90s in North America, the very concept of nudity appearing in a children’s cartoon was absolutely unfathomable. Exposed flesh on a children’s cartoon? Oh, my word!!
That was one of the biggest shocks for me — and I’m sure many of you — when I first started watching anime in the late 90s: the fact that my favorite characters are here, transforming, battling, or just flying around naked… and it’s all just so normal.
But one thing that I’ve always wondered is: what did the production staff think about all this? Fortunately for us, Kimiharu Obata, key animator for several episodes of Sailor Moon and Sailor Moon R, has kindly put pen to paper to talk about this very issue. Feel free to read this in the office — it’s absolutely SFW!
Got a few questions here for Naoko…
As the writer of a Sailor Moon blog, invariably the day would come where I’d sit down and put
pen to paper fingers to keyboard and weigh in on the “secret to Sailor Moon‘s popularity.” I thought that today would be that day.
But then I started to have second thoughts. Why should I write this?
Why don’t we just go straight to the source, and see what Ms. Takeuchi has to say for herself? With all the dozens (hundreds?) of interviews that she’s done over the years, she must have already answered this question, right?
And, as a matter of fact, she did!
Join me, dear readers, as we follow Ms. Takeuchi’s logic behind just what made Sailor Moon the raging success that we know it to be today!
Closing out the story on Sailor Moon S
Whether you love the Sailor Moon S movie or think that it is a lackluster performance in an otherwise excellent brand, I probably won’t be changing your mind through this series. But regardless of which side of the fence you fall on, I think it can be immensely helpful — and even entertaining — to get a little insight into just what the creative minds behind a movie were thinking as they made it.
Today we’re going to continue our journey through Hiroki Shibata’s commentary regarding his directorial debut in Sailor Moon‘s theatrical universe. If we’re really lucky, we might even learn something new by the time we’re done!
Aww, it’s okay Luna!
Asking a Sailor Moon fan which of the three movies is their favorite is akin to walking into a crowded room of strangers and asking them all what they think about the latest political hot-button issue: it’s not going to end well.
While I personally prefer the Sailor Moon R movie, all three of the movies are definitely worth watching, and I can understand why they have their fans.
Today we’re going to try to get a little more insight behind the story of the Sailor Moon S movie by looking at some of the director’s notes provided with the Laser Disc release of the Sailor Moon S movie. If anyone can help win my heart over with a deeper interpretation of the movie — putting aside for a second Naoko’s amazing manga version on which it’s based — I’d say the director is probably out best bet!
The Sailor Team
One question I often (not unreasonably) get asked is: why do I so rarely talk about Sailor Moon Crystal on this blog?
Truth be told, it’s not that I don’t want to talk about it. It’s rather that bringing the Sailor Moon Crystal series into the equation introduces several key issues into what we discuss here, including:
- the series takes place decades after the original manga/anime ran, and the world has since changed;
- the story tracks closely with the manga and doesn’t add too much new information; and
- Sailor Moon Crystal is still a work in progress, so any theories unique to the series could still change.
Fortunately for us, with the recent announcement that Kazuko Tadano — character designer for the first two seasons of the 1990s Sailor Moon anime — will be reprising her role as character designer for the upcoming Sailor Moon Crystal movie, this gives us a chance to take a look back into the past to hopefully answer some questions about the series’ future.
Today, we’ll be taking a deeper look into what Ms. Tadano thought of the characters in Sailor Moon, and her philosophy in how she draws women. Stick around, because things are about to get interesting!
Usagi Tsukino vs. Natsumi Ginga
The Makaiju story arc, exclusive to the Sailor Moon R anime, has always been extremely divisive among fans of the series. Not only did it not even exist in the manga, but it also feels more like an extension of the first season rather than as if it’s telling a whole new story.
And that, my dear friends, is exactly why I love the Makaiju storyline so much. It takes everything I loved about the anime telling of the Dark Kingdom arc, compresses it into a few episodes, and throws it all together into a “slice of life” low-impact story.
Today we’re going to take a look at an interview with Yumi Toma, voice actress for Natsumi Ginga (or better known as her alien form, An), about how she viewed and portrayed her character. If you love this story arc as much as I do, I’m sure you’ll find this pretty interesting!