Closing out the story on Sailor Moon S
Whether you love the Sailor Moon S movie or think that it is a lackluster performance in an otherwise excellent brand, I probably won’t be changing your mind through this series. But regardless of which side of the fence you fall on, I think it can be immensely helpful — and even entertaining — to get a little insight into just what the creative minds behind a movie were thinking as they made it.
Today we’re going to continue our journey through Hiroki Shibata’s commentary regarding his directorial debut in Sailor Moon‘s theatrical universe. If we’re really lucky, we might even learn something new by the time we’re done!
Aww, it’s okay Luna!
Asking a Sailor Moon fan which of the three movies is their favorite is akin to walking into a crowded room of strangers and asking them all what they think about the latest political hot-button issue: it’s not going to end well.
While I personally prefer the Sailor Moon R movie, all three of the movies are definitely worth watching, and I can understand why they have their fans.
Today we’re going to try to get a little more insight behind the story of the Sailor Moon S movie by looking at some of the director’s notes provided with the Laser Disc release of the Sailor Moon S movie. If anyone can help win my heart over with a deeper interpretation of the movie — putting aside for a second Naoko’s amazing manga version on which it’s based — I’d say the director is probably out best bet!
The Sailor Team
One question I often (not unreasonably) get asked is: why do I so rarely talk about Sailor Moon Crystal on this blog?
Truth be told, it’s not that I don’t want to talk about it. It’s rather that bringing the Sailor Moon Crystal series into the equation introduces several key issues into what we discuss here, including:
- the series takes place decades after the original manga/anime ran, and the world has since changed;
- the story tracks closely with the manga and doesn’t add too much new information; and
- Sailor Moon Crystal is still a work in progress, so any theories unique to the series could still change.
Fortunately for us, with the recent announcement that Kazuko Tadano — character designer for the first two seasons of the 1990s Sailor Moon anime — will be reprising her role as character designer for the upcoming Sailor Moon Crystal movie, this gives us a chance to take a look back into the past to hopefully answer some questions about the series’ future.
Today, we’ll be taking a deeper look into what Ms. Tadano thought of the characters in Sailor Moon, and her philosophy in how she draws women. Stick around, because things are about to get interesting!
Usagi Tsukino vs. Natsumi Ginga
The Makaiju story arc, exclusive to the Sailor Moon R anime, has always been extremely divisive among fans of the series. Not only did it not even exist in the manga, but it also feels more like an extension of the first season rather than as if it’s telling a whole new story.
And that, my dear friends, is exactly why I love the Makaiju storyline so much. It takes everything I loved about the anime telling of the Dark Kingdom arc, compresses it into a few episodes, and throws it all together into a “slice of life” low-impact story.
Today we’re going to take a look at an interview with Yumi Toma, voice actress for Natsumi Ginga (or better known as her alien form, An), about how she viewed and portrayed her character. If you love this story arc as much as I do, I’m sure you’ll find this pretty interesting!
So Haruka, what’s the difference between the Moon and Neptune?
As someone who’s fascinated by the nitty-gritty of how things work, the distinction between the Inner and Outer Senshi is a subject that I find incredibly interesting.
Though we’re given a (very) brief explanation within the series that the Inner team handles threats from within the Solar System and the Outers handle those from beyond, any other distinctions between the two groups are fairly vague and left up to fan conjecture.
Today we’ll be taking a look at how Iriya Azuma, producer of Sailor Moon S, approached these two teams and what he felt the distinction was between them. I hope you stick around, because this is actually pretty interesting!
Naoko Takeuchi at San Diego Comic-Con 1998
I am what you could reasonably call a longtime Sailor Moon fan — a “lifer” if you will. I was there when the series was taken off the air, came back on the air, and was taken off again. Yours truly remembers when “new” episodes of Sailor Moon meant the last part of the Sailor Moon R anime that DiC never bothered to get around to dubbing.
And then there were the misguided Sailor Moon / Pop-Tarts campaigns.
Today we’re going to talk about something a little different: we’re going nearly 20 years into the past to talk about the time that Ms. Takeuchi addressed American Sailor Moon fans and answered some of our burning questions. It’s gonna get interesting, so stick around!
Tell me your secrets!
Whether it’s due to really restrictive NDAs signed by everyone involved, a stronger sense of respect for one’s prior workplace, or a power-hungry industry that will shut out anyone who opens their mouths from finding new work, it’s pretty uncommon to find tell-all accounts of what it was like working behind the scenes of Sailor Moon, or even any anime really.
While I wish I could say that I’m here to sate your (and my?) desire for drama, I’m actually here to share with you a heartwarming account by Kotono Mitsuishi, voice of Sailor Moon and Usagi Tsukino.
Sit back, relax, and enjoy!