Usagi Tsukino vs. Natsumi Ginga
The Makaiju story arc, exclusive to the Sailor Moon R anime, has always been extremely divisive among fans of the series. Not only did it not even exist in the manga, but it also feels more like an extension of the first season rather than as if it’s telling a whole new story.
And that, my dear friends, is exactly why I love the Makaiju storyline so much. It takes everything I loved about the anime telling of the Dark Kingdom arc, compresses it into a few episodes, and throws it all together into a “slice of life” low-impact story.
Today we’re going to take a look at an interview with Yumi Toma, voice actress for Natsumi Ginga (or better known as her alien form, An), about how she viewed and portrayed her character. If you love this story arc as much as I do, I’m sure you’ll find this pretty interesting!
So Haruka, what’s the difference between the Moon and Neptune?
As someone who’s fascinated by the nitty-gritty of how things work, the distinction between the Inner and Outer Senshi is a subject that I find incredibly interesting.
Though we’re given a (very) brief explanation within the series that the Inner team handles threats from within the Solar System and the Outers handle those from beyond, any other distinctions between the two groups are fairly vague and left up to fan conjecture.
Today we’ll be taking a look at how Iriya Azuma, producer of Sailor Moon S, approached these two teams and what he felt the distinction was between them. I hope you stick around, because this is actually pretty interesting!
Naoko Takeuchi at San Diego Comic-Con 1998
I am what you could reasonably call a longtime Sailor Moon fan — a “lifer” if you will. I was there when the series was taken off the air, came back on the air, and was taken off again. Yours truly remembers when “new” episodes of Sailor Moon meant the last part of the Sailor Moon R anime that DiC never bothered to get around to dubbing.
And then there were the misguided Sailor Moon / Pop-Tarts campaigns.
Today we’re going to talk about something a little different: we’re going nearly 20 years into the past to talk about the time that Ms. Takeuchi addressed American Sailor Moon fans and answered some of our burning questions. It’s gonna get interesting, so stick around!
Tell me your secrets!
Whether it’s due to really restrictive NDAs signed by everyone involved, a stronger sense of respect for one’s prior workplace, or a power-hungry industry that will shut out anyone who opens their mouths from finding new work, it’s pretty uncommon to find tell-all accounts of what it was like working behind the scenes of Sailor Moon, or even any anime really.
While I wish I could say that I’m here to sate your (and my?) desire for drama, I’m actually here to share with you a heartwarming account by Kotono Mitsuishi, voice of Sailor Moon and Usagi Tsukino.
Sit back, relax, and enjoy!
In search of the missing link
Now that it’s been over a quarter of a century since Sailor Moon first hit bookshelves, and hit the airwaves shortly after that, I doubt it’s really much of a surprise to anyone to hear that another series by Ms. Takeuchi, Codename: Sailor V, served as a precursor to our favorite series.
And if you didn’t know… well, surprise! Now you do. Since I have a strict “one tidbit per post” rule, I guess that means that we call get to just go home then.
… or, I could finish what I started.
Today we’ll be talking about the creative process that was involved in turning a one-shot manga starring the no-nonsense beauty Sailor V and her sidekick kitty-pal Artemis into the multimedia powerhouse starring a full-fledged Sailor Team.
I hope you join along for the ride!
Ikuhara (left) trying the “zero-fashion-sense Mamoru” look
It’s been a long road here, but we’ve finally made it to the end of our three part special, where we review Director Ikuhara’s notes explaining his thoughts on the story of the Sailor Moon R movie. You can find Part 1 and Part 2 here, respectively.
If you’re new to this series, a little background: Kunihiko Ikuhara was the director and major creative force behind the Sailor Moon R movie. Included with the LaserDisc release of the movie was a six page summary of his “interpretation” – basically, his thoughts and inspirations – of the story, separated by chapter.
Today, I’ll be finishing up with comments 17 through 22! Why don’t you join along?
Fiore and his flower minions
After finishing the first half of my review of Ikuhara’s director’s notes for the Sailor Moon R movie, I have to admit that I feel like I have a bit of a better understanding of what story he intended to tell.
And you know, I think I like the movie even more. Knowing that there’s actual meaning behind scenes I just glossed over adds a new depth to the movie for me, and it’s definitely moved up on my “to watch” list.
That said, join me as I continue on with Director Ikuhara’s notes for chapters 11 through 16!