Kotono Mitsuishi and Kunihiko Ikuhara discussing the Sailor Moon R movie
In the immortal words of the Plain White T’s, “hate is a strong word, but I really, really, really don’t like you.” And, if the internet is to be believed, this pretty much sums up the relationship between Sailor Moon‘s creator and acclaimed anime director (Sailor Moon, Revolutionary Girl Utena, and more) Kunihiko Ikuhara.
It makes a certain amount of sense, when you get right down to it, too. They both have very strong, outspoken personalities, and Director Ikuhara was personally responsible for completely changing Rei in the anime — a sore spot in Ms. Takeuchi’s eyes.
Today, we’re going to take a look into whether there’s any truth behind this rumor and why (or why not!) that may not be the case. Regardless of which side of the anime vs. manga debate you happen to be on, you’ll want to stick around for this!
“That’s no moon, it’s a…” Sailor Soldier
Remember that time that Usagi sang about beautiful corpses, painful tattoos, and wanting to control your lover until every little breath of theirs belongs to you? Of course you do, because how could you possibly forget Moon Revenge, the bizarre ending theme to the Sailor Moon R movie.
But like most things that get lost in translation, these sort of thing can make at least a little more sense when looked at in the proper context. And today, that’s what we’re going to talk about!
If you’ve ever been up late at night fretting over lovely corpses and engraved tattoos, this one’s for you!
Okay, whose fault is it??
I know that I’ve talked at length about how Rei was portrayed quite differently in the anime and manga, and I’m sure at some point you might be wondering when the commentary on this issue will end.
Well, depending on your opinion of the issue, I have some good or bad news for you — today is not that day.
That’s right! We’ll be looking at an exclusive interview done in the November 1992 issue of Animage between the magazine’s editorial staff, Rei’s voice actress, and the top production crew for the Sailor Moon anime.
Come for the trivia, stay for the drama!
Ikuhara (left) trying the “zero-fashion-sense Mamoru” look
It’s been a long road here, but we’ve finally made it to the end of our three part special, where we review Director Ikuhara’s notes explaining his thoughts on the story of the Sailor Moon R movie. You can find Part 1 and Part 2 here, respectively.
If you’re new to this series, a little background: Kunihiko Ikuhara was the director and major creative force behind the Sailor Moon R movie. Included with the LaserDisc release of the movie was a six page summary of his “interpretation” – basically, his thoughts and inspirations – of the story, separated by chapter.
Today, I’ll be finishing up with comments 17 through 22! Why don’t you join along?
Fiore and his flower minions
After finishing the first half of my review of Ikuhara’s director’s notes for the Sailor Moon R movie, I have to admit that I feel like I have a bit of a better understanding of what story he intended to tell.
And you know, I think I like the movie even more. Knowing that there’s actual meaning behind scenes I just glossed over adds a new depth to the movie for me, and it’s definitely moved up on my “to watch” list.
That said, join me as I continue on with Director Ikuhara’s notes for chapters 11 through 16!
Flower Garden in the Sailor Moon R Movie
Love him or hate him, Director Kunihiko Ikuhara had a huge impact on the direction that the Sailor Moon anime took and, by extension, could arguably be said to be one of the more influential forces behind the series – especially for those fans who have only seen the anime.
One of his more well-known achievements in terms of Sailor Moon, though, is his work on the Sailor Moon R movie. I’ve written about his thoughts on the movie before, with regard to Usagi and the conflicting representations of motherhood, but today we’re going to take a deeper dive into his thoughts on the imagery of the movie. Come along!
The team behind the Sailor Moon anime was definitely not shy about throwing in references to themselves or other people involved in the show, which provides for a fun little “cat and mouse” type of game as you watch through the anime.
Whenever you see a non-character name written in the background, it’s a fairly safe bet that it’s related to someone connected with the show. Today, I’m going to talk about one such instance, and you’re invited along for the ride!