Ikuhara chilling on a park bench, as he is wont to do
Lunar Logs is a weekly series featuring full translations of interviews with Ms. Takeuchi and others — such as the directors, writers, voice cast, and more — responsible for making Sailor Moon into the massively popular franchise we know it as today. Though not every interview will directly address or even mention Sailor Moon, I find it an interesting look into the minds of these influential figures.
Today’s essay, titled “My First Time,” was penned by
Sailor Moon director Kunihiko Ikuhara and first appeared in the August 1996 issue of Animage.
Read on and I hope you enjoy his curious tale of the circumstances that led to his proverbial cherry being popped… and it absolutely isn’t what you’re thinking!
Fighting against the Sailor Canon
When you spend a significant amount of your time analyzing fictional worlds, exactly what is “canon” quickly becomes an massive roadblock you need to concern yourself with — and one you’ll generally keep coming back to over and over again!
In Sailor Moon‘s case, trying to find out how the three movies fit into the anime’s timeline has always been the source of an not insignificant amount of debate.
Today we’ll be going on a journey into the Sailor Moon Cinematic Universe and see who makes, and who breaks, our precious timelines!
The Sailor Moon voice cast (left to right: Michie Tomizawa (Rei); Rica Fukami (Minako); Kotono Mitsuishi (Usagi); Aya Hisakawa (Ami); Emi Shinohara (Makoto))
One thing I absolutely love about Sailor Moon is the multitude of reasons why fans love the series and the different routes that brought them into our shared fandom.
Probably like many of you, I was drawn in by the fantastic story, beautiful art, and relatable characters. Sounds familiar, right?
But what kept me sticking around over the past 20+ years was something a little deeper: a fascination with how this story came to be and a passion to learn everything I could about the Sailor Moon universe.
Today we’re going to take a “look behind the curtain,” if you will, and see exactly what went into creating a Sailor Moon episode from start to finish. If you’ve ever wanted to know how all these amazingly talented people came together to create perfection, read on!
Teenage Mutant Ninja Senshi?
As I’m sure many of you have already heard, the story about how famed anime Director Kunihiko Ikuhara — known for such works as Sailor Moon, Revolutionary Girl Utena, and the recent smash hit Sarazanmai — secretly directed the one of the first episodes that turned Teenage Mutant Ninja Turtles into a household name is hitting all the major anime news outlets and taking social media by storm.
In light of his spectacular portfolio and what a revolutionary series Ninja Turtles would become, the story certainly seems believable. What’s more, it’s even backed up by a statement by the story writer, David Wise, himself.
But is this really the case? Well, as they say, if something is too good to be true…
Kotono Mitsuishi and Kunihiko Ikuhara discussing the Sailor Moon R movie
In the immortal words of the Plain White T’s, “hate is a strong word, but I really, really, really don’t like you.” And, if the internet is to be believed, this pretty much sums up the relationship between Sailor Moon‘s creator and acclaimed anime director (Sailor Moon, Revolutionary Girl Utena, and more) Kunihiko Ikuhara.
It makes a certain amount of sense, when you get right down to it, too. They both have very strong, outspoken personalities, and Director Ikuhara was personally responsible for completely changing Rei in the anime — a sore spot in Ms. Takeuchi’s eyes.
Today, we’re going to take a look into whether there’s any truth behind this rumor and why (or why not!) that may not be the case. Regardless of which side of the anime vs. manga debate you happen to be on, you’ll want to stick around for this!
Ikuhara (left) trying the “zero-fashion-sense Mamoru” look
It’s been a long road here, but we’ve finally made it to the end of our three part special, where we review Director Ikuhara’s notes explaining his thoughts on the story of the Sailor Moon R movie. You can find Part 1 and Part 2 here, respectively.
If you’re new to this series, a little background: Kunihiko Ikuhara was the director and major creative force behind the Sailor Moon R movie. Included with the LaserDisc release of the movie was a six page summary of his “interpretation” – basically, his thoughts and inspirations – of the story, separated by chapter.
Today, I’ll be finishing up with comments 17 through 22! Why don’t you join along?
Fiore and his flower minions
After finishing the first half of my review of Ikuhara’s director’s notes for the Sailor Moon R movie, I have to admit that I feel like I have a bit of a better understanding of what story he intended to tell.
And you know, I think I like the movie even more. Knowing that there’s actual meaning behind scenes I just glossed over adds a new depth to the movie for me, and it’s definitely moved up on my “to watch” list.
That said, join me as I continue on with Director Ikuhara’s notes for chapters 11 through 16!