Count the brooches!
While changes to Sailor Moon’s costume — and in particular, her brooch — was nothing new for the first three seasons of the series, once Usagi powered up to Super Sailor Moon, her design took a radical change. Whether it was for the better or worse is a matter up for debate, but not what we’ll be touching on today.
Today we’ll be looking at the interesting issue surrounding the fact that Super Sailor Moon boasts not just one, but two brooches on her costume, and what the function of this second brooch may be.
Stick around, it’s gonna be another exciting ride!
Usagi getting her fortune told (ep. 2; using yarrow stalks)
Once again, we’re going to be talking about something that you never knew you wanted to know: the way that each of the Sailor Soldiers prefers likes to throw their fate to the wind and find out what their fortunes may be.
That’s right, we’re talking about fortune telling! Join along for another trip into exploring the profiles of our favorite Sailor Soldiers!
Not even pretending to study
Say what you will about Usagi’s lack of interest in educational pursuits, but despite her rather… questionable scores in her scholastic pursuits, at the very least we should give credit where credit’s due: she is portrayed in the anime quite often reading comics, magazines, or other materials. All that hard work (?) must be paying off, because her Japanese — as in, language arts, or the study of a national native language — scores are her highest.
- Japanese: 52 pts.
- English:10 pts.
- Math: 20 pts.
- Social Studies: 32 pts.
In honor of Usagi’s uncharacteristic pursuit of language arts, I’m going to take you on a tour of Usagi’s room, and we’ll look at some of the magazines she seems to enjoy reading as well as their real-life counterparts.
Let’s get started!
No offense to any 40 year old readers
That’s right, dear readers! According to the original story as told in the Sailor Moon manga and anime, Usagi would be turning 40 on June 30, 2017. Hard to believe that our favorite sailor-suited soldier of love and justice would now be entering her fourth decade of life, isn’t it? While we may know her as a young and energetic junior high school student, she would now have been out of school longer than she ever spent in school.
Due to all of the odd time traveling mechanics and the start of Crystal Tokyo, it’s a bit harder to say anything about ChibiUsa. However, assuming that – like we have to do with Usagi – ChibiUsa was born in a normal universe, she would be turning around 17 years old today.
In honor of the two birthday girls, I’ve selected five articles each about Usagi and ChibiUsa that may be of interest to you. Articles are in no particular order.
If you have any questions or suggestions for future articles, I’d love to hear from you!
Ikuhara (left) trying the “zero-fashion-sense Mamoru” look
It’s been a long road here, but we’ve finally made it to the end of our three part special, where we review Director Ikuhara’s notes explaining his thoughts on the story of the Sailor Moon R movie. You can find Part 1 and Part 2 here, respectively.
If you’re new to this series, a little background: Kunihiko Ikuhara was the director and major creative force behind the Sailor Moon R movie. Included with the LaserDisc release of the movie was a six page summary of his “interpretation” – basically, his thoughts and inspirations – of the story, separated by chapter.
Today, I’ll be finishing up with comments 17 through 22! Why don’t you join along?
Fiore and his flower minions
After finishing the first half of my review of Ikuhara’s director’s notes for the Sailor Moon R movie, I have to admit that I feel like I have a bit of a better understanding of what story he intended to tell.
And you know, I think I like the movie even more. Knowing that there’s actual meaning behind scenes I just glossed over adds a new depth to the movie for me, and it’s definitely moved up on my “to watch” list.
That said, join me as I continue on with Director Ikuhara’s notes for chapters 11 through 16!
Flower Garden in the Sailor Moon R Movie
Love him or hate him, Director Kunihiko Ikuhara had a huge impact on the direction that the Sailor Moon anime took and, by extension, could arguably be said to be one of the more influential forces behind the series – especially for those fans who have only seen the anime.
One of his more well-known achievements in terms of Sailor Moon, though, is his work on the Sailor Moon R movie. I’ve written about his thoughts on the movie before, with regard to Usagi and the conflicting representations of motherhood, but today we’re going to take a deeper dive into his thoughts on the imagery of the movie. Come along!