Depending on how you take it, this question could either be existential, painfully obvious, a bizarre linguistics mystery, or an interesting mix of all three. Just to be clear, we’re not actually discussing the relative power of Sailor Moon’s attacks or why the series is called Sailor Moon in the first place, but rather what was the reason for having her powered up form being called “Super Sailor Moon.” Couldn’t she just power up without needing a new name?
Well, as with a lot of things in Japanese media, answering this question requires us to take a look back at the social and historical context that the Sailor Moon series was created in. As original and unique as the series is, and as much work as Ms. Takeuchi put in to make such a rich and diverse world for her characters to live within, the series was still greatly impacted by the pop culture of the country it was founded in.
You see, throughout the mid- to late-1980s and into the 1990s, Japan had something of a love affair with the word “super,” not much unlike how “x-treme” (and various variations thereon) became synonymous with sports, soft drinks, and pretty much any product or TV show marketed to anyone under the age of 30 in the US from the late 1990s and early 2000s.1 Japan’s (…bubble) economy was going strong,2 and the word “super” seems to have been picked up by marketers to show how their product was new and improved.
The most obvious example that you’re probably all aware of is the upgrade from the Famicom/Nintendo to the Super Famicom/Super Nintendo, but this goes back much earlier. Following the Nintendo connection, the sequel/upgrade to the smash hit “Mario Bros.” was “Super Mario Bros.”3 But as we’re about to see, characters being “leveled up” so-to-speak isn’t the only way that the word super had infected Japanese culture.
In 1987 the Asahi Beer company, wanting to expand their business from a paltry 10% of the Japanese beer market, launched the Asahi Super Dry product line. This sparked off what is known as the “Dry Wars” among Japanese beer producers,4 who were all trying to capture the budding dry beer5 market.
Other noteworthy examples include the Super Saiyan form6 in Dragon Ball Z in 1991, the Super-VHS video standard7 introduced in 1987, and the proposed upgrade to the floppy disk – the so-called SuperDisk8 – in 1997. Taking a look at anime titles alone, you can see the trend pretty clearly:9
So what does this all mean, then? Essentially what this means is that during this particular time in Japan, the word “super” was a popular marketing buzz word used to convey to the audience that this was a new, upgrade, improved version of a previous product. That’s not to say that the concept didn’t exist in the west – Superman predates this marketing buzz in Japan by nearly half a century. But what’s interesting about all this is that, taken as a whole, what Ms. Takeuchi was trying to emphasizing by powering Usagi (and, later, the rest of the Sailor Soldiers) up into her Super form.
Taking into consideration how deeply this was all affected by the words, language, and other series and products out at the time, it makes me wonder what the upgraded form of Sailor Moon would’ve been called if the series came out today? Mega like in Pokémon?10 Though I’m a fan of the Super and Eternal forms, I’d love to know how things would’ve changed if the series had been made today!
- See Extreme Disambiguated (Wikipedia) ↩
- See the Japanese Asset Price Bubble (Wikipedia) ↩
- See Super Mario Bros. (Wikipedia) ↩
- See the Dry Wars (Wikipedia) ↩
- See Dry Beer ↩
- See Super Saiyan ↩
- See S-VHS (Wikipedia) ↩
- See the SuperDisk (Wikipedia) ↩
- See List of Anime Titles (Wikipedia) ↩
- See Mega Evolutions ↩