What Struggles Did Naoko Takeuchi Face in Becoming a Mother?

The Princes and her Prince

The Princess and her Prince

While I typically like to keep this blog focused on matters either directly in the world of Sailor Moon or relating to things that happened back in the era, I think when we’re talking about the creative genius behind our favorite sailor-suited soldiers (of love and justice!!), I think we can allow a little wiggle room.

Though today’s topic doesn’t tie in directly into Sailor Moon or any of the characters that inhabit her carefully crafted universe, Ms. Takeuchi is a fascinating woman in her own right and definitely merits discussion. So let’s take a look at how her family came to be!

A word of caution: This article discusses the loss of a child, which is a topic that I know hits home for unfortunately far too many people. Please feel free to skip this article if the topic matter is something you’re uncomfortable with.

Obonu and Chibonu, a picture book written by Naoko and illustrated by her husband

Obonu and Chibonu, a picture book written by Naoko and illustrated by her husband

It’s probably worth noting right up front that, while Ms. Takeuchi has always been pretty generous with her time and proactive in reaching out to fans, such as by answering fan comments sent to Nakayoshi magazine and talking about the gifts and letters she received in her author’s notes in the original editions of the manga, she is still a rather private person.

Neither she nor her husband, acclaimed manga artist and author or Yu Yu Hakusho and Hunter x Hunter Yoshihiro Togashi,1 have ever provided specifics on their children, other than the fact that they have a son and a daughter. This actually is actually pretty common among celebrities in Japan (i.e., never giving out kids’ names, etc.) and, in the internet age, is becoming more common elsewhere as well. The media also tends to respect that as well, so shy of a huge scandal, it’s very rare to actually run across actual details.

Not that we need any specific information, but I figured I’d answer your question in advance as to why you don’t ever see any solid information on her family and her life.

So now that we just talked about how tight-lipped and secretive Ms. Takeuchi is, it’s worth asking what do we know, and how?

February 2001 Young You

February 2001 Young You

Well, we know that she has two kids, a son and daughter who were born in late-20002 and Fall of 2009,3 respectively. That puts them at 16 and 7/8 at the time of this writing.

The rest of what we know about Naoko’s trials, tribulations, and misadventures in the early days of her marriage and child-rearing from from her “… Punch!” series of comic essays, ranging from multi-page stories to four-panel comics, generally carried monthly from 1998 to 2004 in Shueisha’s Young You magazine,4 a so-called “ladies comic” aimed at young women in their late teens to early 20s. Every comic title ends in the word “… Punch!5

Stories ranged from personal stories about her married life (in one comic, she talks about going to Egypt with her husband shortly after getting married and sneaking a camera into one of the tombs – strictly forbidden – and taking photos), her career (Naoko lets loose on the drama that happened with her publishers to make her quit PQ Angels), the making of Sailor Moon (this is where many of the stories in the back of the 2003 manga re-release come from!), and most importantly, her life as a mother.

Basically, she’s a private person who tells all. Makes sense!

When I learned that one of her early stories covered her experience with the birth of her son,6 I was pretty excited.

The story starts out with Child-Rearing Punch!, wherein Naoko covers her first month as a mother.

Child-Rearing Punch! Panel 01

Child-Rearing Punch! Panel 01

This is what my life is like with my one-month-old baby.

Pbbbbbt

(milk)

Child-Rearing Punch! Panel 02

Child-Rearing Punch! Panel 02

Face PUNCH
Auugh!
Solar plexus KICK
Oomph!

Child-Rearing Punch! Panel 03

Child-Rearing Punch! Panel 03

Waaaah!
Bleeeegh

Naoko: Noo, not on my Prada sweater!
Squuuuirt
(coming from both ends)
Naoko: My Gucci skirt!

Child-Rearing Punch! Panel 04

Child-Rearing Punch! Panel 04

Hang in there Princess [Naoko’s nickname for herself]
Yoshihiro: Why does he cry nonstop when I hold him??
(held him for 5-hours straight)
(baby wants milk every hour-and-a-half)
Snooore
Grandma
(doesn’t break a sweat being with kids)
Naoko: I just want to sleeeep.

So with that kind of feel-good story, I’m sure you can imagine my surprise when I saw the title of the next comic:

Miscarriage Punch!

In this story, Ms. Takeuchi outlines how, prior to the birth of her son, they lost their first child. Oddly enough, she keeps a fairly light (???) tone throughout the comic, drawing the characters in a comical fashion and making commentary on the absurdity of the things and people around her.

Upon noticing something was wrong and getting seen by a doctor, Naoko was hospitalized and had to undergo surgery for an emergency abortion. Even here she jokes about how her mother and father couldn’t come to the hospital because they were going to an onsen that day, and when her mother finally did arrive, she went out for sushi with Yoshihiro, leaving Naoko behind.

Naoko's mother, Ikuko, visits the hospital

Naoko’s mother, Ikuko, visits the hospital

The story ends with Naoko talking about how she found a copy of her favorite childhood manga, Candy Candy,7 in the visiting room and how she found comfort in being able to read it again. The manga was carried by Nakayoshi as well back in the 1970s and was even adapted into an anime by Toei, much like Ms. Takeuchi’s series would be.

Honestly, I don’t know what to make of this. When I first heard the story and read the text on page, it all sounds so traumatizing and heartbreaking to know that an author I’ve respected so much had to go through so much suffering. And yet, when you look at the images on the page and the way she tells the story, it reads like a comedy.

I thought I should put a picture, so... Usagi in a hallway

I thought I should put a picture, so… Usagi in a hallway

This could also just be a case of “laughter is the best medicine.” After all, when their son was later born, Ms. Takeuchi also did an issue on the difficult birth they had, and how she was hospitalized for a whole month after the whole experience. Throughout that same issue, it carries with it this same comedic touch.

Usually I try to end articles on a question, but there’s simply no question that comes to mind that’s appropriate for this situation. All the same, I’d love to hear your thoughts!


References:

  1.  See Yoshihiro Togashi (Wikipedia)
  2. See the February 2001 edition of Young You
  3. See Hunter x Hunter vol. 27, released December 25, 2009, in which the Togashi announces his daughter’s birth
  4. See Young You (Wikipedia)
  5.  No, I don’t get it either.
  6.  See the February 2001 edition of Young You
  7. See Candy Candy (Wikipedia)

2 comments

  • People deal with these events in different ways… I think it makes sense that Naoko’s method of talking about what happened to her would be the lighthearted comics she’s known for. In any event, I’m VERY glad they were able to save her life!

  • Sheesh… I never thought I’d see a Naoko Takeuchi comic about miscarriage. That’s got to be the most bizarre Sailor Moon-related thing there can possibly be.

    I think you’re right, it’s probably a “laughter is the best medicine” type of thing. And just theorizing here… maybe in Japan they just accept that things like failed pregnancies are a part of life that happens sometimes… another one of those things where the “shou ga nai” attitude appears.

    But to even write a comic about it, I have to suspect that maybe they don’t see a fetus as a baby until it’s born, unlike how many mothers in the US might consider a miscarriage to be little different than losing the child the day after it’s born. Maybe to Naoko Takeuchi this was little more than a medical problem that meant if she wanted to have another baby, she would have to start over.

    BTW there’s a topic I’d like to know more information about, if you have any info to share. Basically… what happened between S and SuperS, how did the SuperS season go so wrong? The S season was a masterpiece of anime storytelling with an exciting story and little filler… then the next season produced a show with huge amounts of filler, but also somehow forgot to allow themselves enough time to wrap up the story and include key elements like the Sailor Quartet.

    I can understand the marketing decision to aim the show at a younger audience and focus heavily on Chibiusa (I didn’t mind this one bit), and I appreciated letting the Inner Senshi take the spotlight back from the Outers. I don’t mind a certain amount of filler, and of course you can’t expect near-perfection in every single season. But the choice to go SO heavy on filler, and the incompetence that created so much filler that actual storyline content had to be cut out of the end of the season… how did things go so wrong when they handled everything so well just 1 year earlier?

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